Dialogue reveals character in Joan Didion’s 1970 novel “Play It As It Lays.”
Moved by the controversy surrounding the release of “Notes to John,” her diary reflections on her psychiatric visits, I recently read the novel.
Didion’s fragmentary story about the mental and spiritual dissolution of the B-film actress Maria Wyeth reminded me of Renata Adler’s “Speedboat.”
Switching from Maria’s elliptical first-person narrative to limited third person to portray her interactions with her Hollywood circle, Didion doesn’t give physical descriptions.
The reader imagines the characters from the way they talk and their sketchily described actions.
Places receive full descriptions - swimming pools, bedrooms, the desert, Las Vegas casinos.
The Los Angeles freeway, which Maria obsessively drives, is lavishly imagined.
Maria’s former husband, Carter Lang, is a well-known director and the father of her child, Kate, who’s in an institution suffering from an undisclosed illness.
Her worried love for Kate is her most endearing quality as she engages in increasingly self-destructive acts.
Carter fitfully seeks to aid Maria as her mental health declines, yet abandons her in exasperation.
Maria’s acquaintances in the film industry also reach out to her, then withdraw.
A screenwriter along with her husband, John Gregory Dunne, Didion dabbled in the Hollywood social scene.
She exposes the immorality and nihilism of the community of which she and Dunne were intimate members.
Yet an underlying empathy shines through.
Maria and her friends and lovers desperately seek human connection, short-circuited by their vanity and spiritual emptiness.
Didion manages to elicit sympathy for them, despite their self-absorption and destructive behavior.