I've reached the age where death takes on more significance. Someone's passing can unexpectedly reveal a passage into my past. Such was the case with two deaths this week: Angelo Dundee and Ben Gazzara.
The death of Dundee, trainer of Muhammad Ali and Sugar Ray Leonard, recalled the era of 1960s television, when I watched ABC Sports boxing telecasts and heard the loved/hated Howard Cosell pronounce his name with his affected Brooklyn accent, Angelo Dun-Dee. Dundee was the Italian American mentor behind Ali, a strong rebuttal to the anti-white claims of Ali's Black Muslim cohorts. He was part of the reason I adored Ali, unlike most people in Baton Rouge.
After Ali was stripped of his heavyweight title for refusing to Vietnam, I defended Ali in a debate with one of our neighbors, a very nice man with a gravelly voice who ran the biggest funeral home in the city and later buried my father. He's gone now, of course; on a visit back to our neighborhood, his wife confided to me that he "wasn't well." We stood in his carport, I defending Ali, and he, a very large man, calling Ali a traitor. The death of Dundee brings it all back.
I loved all of the iconoclasts of the time: Ali, Joe Namath. They gave me hope of escaping Baton Rouge, although I also had a deep love for it, especially the crazy countercultural world of LSU that I entered into. I believed in Joe Namath, the quarterback who repeatedly carried Bear Bryant's Crimson Tide to wins over our Tigers, and so took him at his word when he guaranted a New York Jets win over the Baltimore Colts in the 1969 Superbowl, and I bet on the Jets against my friend Ray, the greatest athlete I ever knew and the most tragic character as well. How triumphant I was to collect my meagre winnings from Ray the Monday after Namath had engineered his famous upset.
And then there was Gazarra, whom I loved on the TV show "Run for Your Life." Again, that show was a glimmer of hope, a vision of a wider world, beyond Baton Rouge. His character was hip, cool, "existential," although I didn't know what the hell it meant. I'd read it somewhere in one of the magazines I picked up every week at the newsstand in downtown Baton Rouge where I used to go when I began playing hooky from Sunday school at First Presbyterian. Existenialism: It sounded good to say. The show came on in the loved Thursday night lineup of NBC: Dean Martin's variety show also sticks out, a weekly smashup of Hollywood and Vegas show biz, that also tantalized my muddled adolescence (Ah, Joey Heatherton, you live in my dreams.)
Later, I loved Gazzara in the John Cassavetes movies we caught at Baton Rouge's Varsity, an art cinema house now a very good restuarant. Ah, the Varsity, where I saw Visconti movies, porn flicks (The Wicked Die Slow) and Zappa's "200 Motels" (horrible).
Dundee, Gazzara. They loom in my memory and esteem.
